Imagine you want to add a new blue section to a page. Ideally you want all the components you built to adapt to the new theme automatically, without having to change anything

The Laika Theming System is a proposal to do exactly that.

Configure theme in detail



Theming is the process of pairing colors to pleasant combinations.

For example, it allows us to apply palette colors to light or dark sections.

Palette and purpose

When it comes to theming, there are two relevant concepts: Palette tokens and purpose tokens. Theming is the process that connects them.

theming maps purpose tokens to palette tokens

The palette-tokens include actual color values but without information on how to use them.







Palette token example

Purpose-tokens could be described as agnostic, or color blind. They do not hold any information about the actual color value, but instead about how the color should be used. An example token name is color-font-title-main.

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Purpose token example

The process where purpose tokens are being assigned palette tokens (actual colors) is called theming.

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Theming example

Theming combines palette-tokens and purpose-tokens, generating themes. Themes can be created with variations using our palette, to give us flexibility to colorize components in many different ways.

Components only ever use purpose-tokens. The individual component is therefore detached from actual colors, and this gives us powerful scalability.

Theming Sandbox

Problems with this approach

It would be possible to stop here. For every theme, we would just create a large map of tokens. This is problematic though, for two reasons:

1. Sections and surfaces both create context

One of our early observations was that within the same theme, typography might use different colors depending on whether it is placed directly on the section, or on a surface like a card.

different theme classes

The text within the card uses different colors, even though it is part of the same theme as the text in the section.

We say that both section and surface create context, because they independently influence the color of typography nested within them.

Ideally, the titles themselves would react automatically to the context that they are being placed within, so that we still only need one purpose token ($color-font-title-main) to control their color.

2. Redundancies

Another observation was that between different themes (and contexts), there are a lot of redundancies. For example, while a blue section and black section might have different background colors, the typography and buttons used on them might be identical.

illustrating common colors in 2 different themes

Both themes still have some overlap - they use identical typography and button colors.

Theme classes

To account for the problem of redundancies, we decided to split themes into 4 distinct classes:

  • Sections

  • Surfaces

  • Typography

  • Buttons

Essentially we are dividing the total pool of purpose tokens into smaller, reusable groups.

tokens that are not grouped

A list of fictional tokens

grouped tokens

Theme classes group tokens into different categories

Theme packages

Per group we can then define several theme packages. Every theme package represents an actual theme map.

Two package examples for the section class could be section-white and section-black. Packages of the same class can then be used interchangebly.


Every package of a given class (eg section-black of the section class) would then need to specify all required token listed by that class' schema.

For example, every section package implements the exact same purpose tokens, just possibly mapping to different purpose tokens.

6 configurations per theme

Considering that both section and surface create context (and therefore influence the color of Typography and Buttons nested within), this leaves us with a total of 6 different configurations per theme:

  • Section

  • Section typography

  • Section buttons

  • Surface

  • Surface typography

  • Surface buttons

different theme classes

Note that although typography can be configured independently for section and surface contexts, the pool of available theme packages for both is identical.

Class connections

Class connections specify possible connections between theme classes. The connections define compatible packages.


Let's say we want to use a white section theme, with a light gray surface color:

creative space example

The combination of theme packages to achieve that might look something like this. Note that for this example, both section and surface have identical context - they use the same font and button package.

creative space example

To the contrary, here is an example theme starting with the same white section package, but a blue surface package:

creative space example

Note how now section and surface use different contexts. While text that is placed directly on the section is dark, the text placed on the surface has to be light in order to achieve enough contrast.

creative space example


Traditionally, adding a new theme (for example a blue theme) to your website meant that you had to add blue theme support to every single component on the website. If that wasn't possible because of limited resources, you had to restrict what components might be used in that new blue section you wanted to create. Neither solution was very satisfying.

With the growing browser support of CSS custom properties, it became possible to dynamically change the values of your color variables (purpose tokens). With this approach, many websites now offered 2 different themes: dark and light.

But still, current systems usually don't go further than that. What if you want to use a variety of differently themed sections on the same page, with all components adapting automatically?

The Laika Theming System attempts to support a much wider range of themes than just light and dark - allowing to add as many themes as desired in a scalable fashion.

A current weakness is being limited to 2 layers only (section and surface). What about for example a pop up being displayed on top of a card? This would be a surface on top of another surface. Further versions of the theming system might attempt to solve this problem.

Kisi Inc.

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Laika is Kisi’s design system for Together with the new visual language of Kisi, this system activates the first milestone of the new brand together with working code, design tools and guidelines for